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Pretty much everyone associated with the film went on to do great work in the industry, but it's safe to say that we'd freak out if they were all to come together to work in another project. From 'Paayaliya' to 'O Pardesi,' every song moved the story forward, which is perhaps why no one realized that the soundtrack, which won Amit Trivedi a national award, had 17 songs. If Dev.D were made right now, the lyrics of 'Emotional Atyachaar' would have found their way to a thousand memes already. The songs from the film - a mix of Rajasthani, Punjabi and Awadhi folk numbers - were another reason people still remember this movie. She knows that he's a lost cause.Īfter realizing that he made a mistake by letting Paro go, Dev drowns himself in drugs and alcohol, and while some of these sequences might be too crude or graphic for the audience then, they're far more realistic than what we were used to seeing from Bollywood. When he berates Paro about this, she doesn't beg for his forgiveness - which is what a traditional female character might have done - and doesn't explain herself. When Dev finds out that Paro might have slept with another man, he loses his mind despite the fact that he's also been with another woman.
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Unlike other adaptations of Devdas, Kashyap doesn't pretend that his hero is infallible. I am a slut," it's Kashyap's take on a thousand stereotypes where the word ' slut' is only ever used to describe a 'loose woman.' Because even though Dev is the 'hero' of the film, there are no apologies made for his hypocrisy and his insecurities. In the end, when Dev tells Chanda, "You were right, you know. Finally, in fact, she's the one who saves him from himself, but without making that the mission of her life. When Dev meets her, he's, unsurprisingly, an ass to her, but she deals with him in her own way and doesn't let him get to her. Kashyap also manages to portray this story-line without caricaturing sex workers. She escapes and find refuge with some sex workers, who treat her well and help her get an education. While she's rightfully upset about what happened, she doesn't let it define her life. Source: sourceĬhanda, whose backstory was based on the DPS MMS scandal, is slut-shamed to hell and back because of something she did with another boy, even though he faces no consequences. When Dev becomes emotionally abusive, she doesn't sit around and pine for him, she gets married and dances like no one's watching at her own wedding. She pleasures herself when Dev is on the phone with her from London, and plans a secret meeting in the fields so they can have sex in peace. Mahie plays her to perfection, loving Dev but never enough for it to destroy her. If your only reference for Paro is Sanjay Leela Bhansali's lovelorn, diya-holding damsel in distress, then you need to watch Dev.D just for how brash and unapologetic Kashyap's Paro is. But what was it about Dev.D that made it one of Indian cinema's most important films? Source: source One of the reasons that make it iconic is that it did not shy away from portraying female sexuality. Abhay Deol further cemented his position as an actor to watch out for with this performance. Not only did the film usher in a new era in Bollywood, it also gave us two powerhouse debutantes - Kalki Koechlin (Chanda) and Mahie Gill (Paro). But, in 2009, Anurag Kashyap put his own spin to the story and gave us its modern version in the form of Dev.D. Despite that, two strong women fall in love with him and almost annihilate themselves for him, because that's how the story goes. He's brooding, he's self-destructive, he's arrogant, and he's a jerk. Devdas is one of literature's most annoying characters.